31
Jan 23

Launching a Self-Published Fiction Novel

I just finished the last chapter of my latest Mrs. Odboddy mystery/adventure, Mrs. Odboddy and the Conniving Candidate. In this novel, Agnes Odboddy is running for a seat on the Newbury City Council, vacated by the removal of a previous member, described in Mrs. Odboddy’s Desperate Doings.

The open city council seat attracts the attention of Horace Faggenbacher, owner of the Flying Red Horse gas station, a character the readers met in previous novels. Who knew that he was such a conniving, despicable person that would engage in under-handed tactics? In addition, Katherine’s old boyfriend, determined to win her back, returns with questionable tactics to rival those of Faggenbacher’s.

So what must be done before Mrs. Odboddy and the Conniving Candidate is published? At the moment, I’m involved in a deep editing process intended to catch typos, punctuation issues, story line snags, expanding certain scenes, and generally looking for anything that needs changes.

My mentor is currently reviewing the manuscript with suggestions or needed corrections. The manuscript will then go to 3-4 beta readers looking for plot issues, punctuation, or point out any suggestion they feel needs addressing.

Other types of editors are often hired at this point who make changes and offer suggestions.

As a self-published author, the necessary steps toward publication all become my responsibility. I’ll envision a general cover concept and as I prefer photographs, I'll search Shutterstock, Fotolia and other online photo sites for one or two photos to be added to Mrs. Odboddy’s image. Once I’ve selected and purchased the rights to the images, they are sent to my mentor/editor/cover design genius who plays around with the photos until I’m satisfied with a finished cover design.

Acknowledgments, back cover blurb, character description, and dedications are assembled. The manuscript is sent to my genius who puts it in the correct format for publication. She returns a printed copy to me for a final edit where I often have her make 40-50 corrections or changes before it is sent to my publisher who uploads everything to Lightening Source. They return a Final printed version for my approval and a chance to correct any printing errors. Upon approval, the paperback books are printed and delivered to my publisher. I pick up my books and they are now available for in-person sales or for interested bookstores or libraries to purchase.

A correctly formatted e-book version is sent to Amazon where, if the moon and stars are in the correct alignment, they upload it correctly so folks can purchase the e-book novel from Amazon. (My Amazon experiences with my last two novels were less than encouraging.)

So, there is no wonder that a paperback novel costs $12-16. After many thousands of hours writing the novel, you now know what a self-published author must do to complete the process and provide you with a wonderful reading experience. I hope you'll enjoy all my books and look forward to presenting this latest novel, perhaps next year.

3
Jul 18

How to write a Best-Selling Mystery Novel


There is a simple template for how to write a best selling mystery novel.
The Plot

Chapter one must have a hook that compels the reader to keep turning pages. Perhaps it’s a hard-boiled detective bringing the killer to justice, or a romance with the boy next door. Along the way, you’ll laugh or cry, be scared or surprised, along with the hero. When the story ends, you hope there’s a sequel because you want to spend more time with the characters.

Conflict

A compelling story must have something that prevents the main character from easily fulfilling his goal–conflict! If the CIA agent catches the villain on page one, there is no adventure. If the girl’s heart is broken in the first chapter, where is the romance? If someone isn’t looking for the lost puppy, he’s just a puppy.

Supporting Characters

Besides the intriguing main characters, a good story has compelling supporting characters. They are the friends, relatives, or even the protagonist’s pet–someone to interact with the main character. They may provide the conflict or help bring about a resolution, as in my Black Cat Mysteries, where Black Cat aids in solving mysteries.

Beginning-Middle-End

A good book has an exciting beginning, a compelling middle, and a satisfying end. The beginning of the story jumps into an event that convinces the reader to travel this journey with the main character. A mystery to solve, a romantic conflict or a specific goal must be revealed within the first few pages to keep the reader turning pages.

The middle is the crux of the story, where the character struggles to overcome the obstacles, but events go from bad to worse, and when all seems lost, we come to the exciting conclusion. The reader leaves laundry in the dryer and dishes in the sink to see how our hero solves the problem.

The ending must tie up all the loose strings, solve all the puzzles and reach a conclusion that is acceptable to the reader. Did you ever read a 300 page novel and the main character dies on the last page. You want to heave the book against the wall!

The Satisfying Conclusion

In a satisfying conclusion, the hero gets the girl, the killer is revealed, the interplanetary six-headed monster is relieved of at least two of his heads, or the puppy finds a home. The conclusion leaves the reader satisfied and wanting to buy the sequel.

The Right Editor

Now, the nuts and bolts: An author needs a good editor to look for spelling errors, poor punctuation, poorly written sentences or scenes that don’t make sense. She suggests corrections in a constructive manner to help the reader becomes one with the protagonist or at least travel alongside the hero.

The Book Cover

The book cover is snappy, good looking, brightly colored with an easily read title and intriguing picture, which suggests the story line. The appealing cover tempts the potential buyer to read the summary on the back and then, to buy the book. Mission accomplished.

That’s all there is to writing a best seller. Easy-peasy, right?

21
Jun 15

He said… She said. Why does it matter?

cover_cat_eyes-realistic-face-3

Readers love books with lots of dialogue and not so much narrative. Good dialogue should never just be idle chit-chat or casual conversation. Dialogue moves the storyline forward and is written specifically to create a certain mood.

In the following edited conversation between Brett and Kimberlee, from Black Cat’s Legacy, she shares her darkest secret.

Kimberlee took a deep breath and sighed. “I’ve had nightmares all my life. I never thought they had anything to do with my father’s death.”

“Nightmares?” Brett wrinkled his forehead. “Go on.”

“I remember now. In my dream…maybe it wasn’t a dream... My father is lying at the foot of the stairs and there’s someone standing in the shadows!”

Brett leaned across the table and took her hand. “You were there? You saw the killer?” His grip tightened on her hand. “You know who it was?”

She shook her head. “I heard voices. I came down the stairs. I remember something red, maybe a piece of clothing? I heard a shot and then I saw his…his… body. That’s all I remember.” She laid her head on her arms. “I never realized what it meant. I thought it was just a nightmare.”

“I can’t imagine how you must feel. I want to help get to the bottom of this. What can I do?” Brett’s voice shook
.
She lifted her head. Tears ran down her cheeks. “There is one thing, but I hate to ask.”
“Anything. Just name it. How can I help?” A flicker of concern swept across his face. He squeezed her hand.

“Maybe get me a tissue?” Her eyes crinkled in a smile.

What does this dialogue reveal?
In a few short sentences, we learn that Kimberlee never understood the connection between her nightmares and her father’s murder. We feel empathy for her pain. We see Brett’s increasing attraction to her, and suddenly during this tense moment, she delivers a one-liner that hopefully, if I did my job well, makes you smile.

Even more than the narrative in a story, good dialogue can create drama, romance, angst, or humor. If you can put it all in one conversation, go for it!

The reader doesn’t understand the creative effect of what a writer has done or admire their skill of their craft. They just know that as they read, the dialogue makes them feel they are watching the scene unfold, or better yet, they become one with the characters, feeling their joy, their pain, or their sorrow as they are pulled into the story.

The mark of a good book is when the reader reaches “THE END” and wishes there was another 100 pages. The mark of a GREAT book, is when that same reader searches for the sequel or another book by this same author.

Beyond a good plot, a charming setting or appealing characters, writing dialogue that sings is essential to creating this kind of reader’s response. It contributes to the success or failure of a book and to the writer’s career.

23
Aug 14

Why I Write

Boots
I’ll bet if 100 people were queried, at least 75% of them would claim that someday they plan to write a book, most likely a memoir. The remaining 25% likely would admit, humbly, that though they may never get around to it, and the world will be the lesser for it, deprived of reading about their fascinating lives, they could if they wanted to. The thousands of hours required to write, edit and format a book for publication is never considered. Yet a frightening number of us do spend the time and energy, and a zillion books DO get published every year. Most of them are available on Amazon where they are buried as deep as a sticker in a cow plop among a million other Amazon books. Occasionally, one actually sells!

Now, instead of becoming a writer, where was I when someone got the bright idea of creating a website where anybody could sell his book, and the website would earn more on the sale of the book than the publisher and the author combined. What a concept! I was probably standing behind the same door when someone said, ‘Do you want to invest in this driving-sleeping thingy we’re calling Winnebago?

Now, I’ve become one of those people who decided there was a book in me that the world would be the lesser for, did they not delve into its pages. After about a skillion hours of writing, rewriting, editing, mentoring, and more rewriting, my novel was finally completed, formatted, published and made available for sale to the millions of folks clamoring to be amused, entertained, charmed and delighted by my scintillating characters. I called this cozy mystery-romance Black Cat’s Legacy. In this yet to become a New York Times Best Seller, there is even a nonplused cat who knows where the bodies are buried. He wants desperately to share his knowledge with the inferior humans who are either too busy running afoul of the antagonist, or preoccupied with trying to solve a 25 year old murder without sullying anyone’s good name…good luck with that… Well, it’s quite a ride involving jealousy, greed, unrequited love, a smattering of downright stinkerisms and a cat that is appalled that these no-good-niks can’t understand a clue when he puts it right under their inferior noses. And yes, it’s available on Amazon in e-book for only $3.99. http://tinyurl.com/lrvevgm

So, why do I write when the hours are long, the glory is nonexistent and the financial rewards are few and far between?
I guess I write, because these characters in me, are screaming to get out and even if I don’t have a Best-Seller, many of those good folks who have read Black Cat’s Legacy come back and tell me about their reading experience. For just a little while, they are able to leave their own troubles behind, travel to a little resort town and experience my make-believe world where the good guy wins. For a few hours, they frolicked through the pages with a cat on a mission to help Kimberlee solve her father’s cold case murder. Then my friend tells me how much she loved it and asks, “When is the sequel coming out?”

That’s when I know. That’s why I write. That’s why it’s all worth it.

16
Sep 13

AN INTERVIEW WITH ERNEST HEMINGWAY

Ernest Hemingway and CATS
Through the wonders of time-travel and internet technology, today I’m interviewing American author, Ernest Hemingway.

Elaine: “What is the most memorable thing you recall about your childhood?”

Ernest: “My parents had a summer home near Walloon Lake, Michigan when I was four years old. My father taught me to hunt, fish and camp in the woods. This experience instilled in me a passion for outdoor adventure and living in remote places. I guess it set the tone for my need to live an adventurous life.”

Elaine: “What was the first job you ever held?”

Ernest: “I worked as a cub reporter for the Kansas City Star for six months right out of high school. They gave me a Style Guide which became the foundation of my writing. ‘Use short sentences and short first paragraphs. Use vigorous English. Be positive, not negative.’ See the entire Kansas City Style guide here:

http://www.lostgeneration.com/includes/Hemingwaystylesheet.pdf
Elaine: “Tell us about your first publication.”

Ernest: “After returning from WWI in 1919, I took a fishing trip with high school friends into Michigan’s Upper Peninsula. The trip inspired the short story, Big Two-Hearted River, where Nick Adams takes to the country to find solitude after returning from war.”

Elaine: “I understand you were influenced by a number of famous people. Can you tell us about them?”

Ernest: “My first wife, Hadley and I moved to Paris in 1921 and I worked as a foreign correspondent for the Toronto Star. While there, I became friends with Gertrude Stein, James Joyce, Ezra Pound and F. Scott Fitzgerald. Gertrude became my mentor and introduced me to a number of artists and writers - Pablo Picasso, Joan Miro’ and Juan Gris. We collaborated on a book called In Our Times.”

Elaine: “I understand many of your books were inspired by your travels and adventures.”

Ernest: “A safari in East Africa in 1933 inspired Green Hills of Africa and several short stories. To Have and Have Not was published in 1937 while we lived in Spain.”

Elaine: “You love cats, right? You’re a man after my own heart.”

Ernest: “LOL. I learned to love cats when I lived in Cuba with my second wife, Pauline. My first cat was a gray Angora named Princessa (middle cat in photo). Two addition males were purchased and I wrote extensively about one of the kittens named Boise. At that time I was writing For Whom the Bell Tolls (1940) based on my experiences during The Spanish Civil War.”

Elaine: “Wasn’t that was your most famous book?”

Ernest: “It was nominated for the Pulitzer Prize in 1940 and sold half a million copies within months. That makes it one of my favorites.”

Elaine: “And then in 1954, you won the Nobel Prize in Literature for ‘mastery of the art of narrative and the influence exerted on contemporary style’ as demonstrated in The Old Man and the Sea. That’s pretty impressive, too.”

Ernest: “I felt that Carl Sandburg, Isak Dinesen or Bernard Berenson deserved the prize more than me, but the prize money was welcome.”

Elaine: “You’re too modest. Here is what you wrote in a speech to be read in Stockholm, as you were not able to attend to receive your prize. “Writing, at its best, is a lonely life. Organizations for writers palliate the writer’s loneliness but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone and if he is a good enough writer, he must face eternity, or the lack of it, each day.”

Elaine: “You have led an exciting life. Can you leave us with any words of wisdom for writers and to regular folks?”

AUTHOR CORNER: “There is no rule on how to write. Sometimes it comes easily and perfectly. Sometimes, like drilling rock and then blasting it out with charges.”
E. Hemingway.

EVERYDAY FOLKS: “I have learned a great deal from listening carefully. Most people never listen.” E. Hemingway

*Source: Ernest Hemingway - Wikipedia:

http://en.wikipedia.org/wiki/Ernest_Hemingway